Composer Alexander Glazunov: his life and work Essay

Glazunov was born in the family of a famous rich publisher of St Petersburg. He st crafted learning music when he was nine and at the age of bakers dozen he already tried to create his first works. Mili Balakirev, ex- member of the supporters of independence congregation called The Five, acknowledged Glazunovs abilities and introduces his work to Nikolai Rimsky-Korsakov. He wrote then Casually Balakirev once brought me the composition of a fourteen- or fifteen-year-old high-school student, Sasha Glazunov. It was an orchestral score written in childish fashion.The boys endowment was indubitably clear. (Volkov 1995) Rimsky-Korsakov became a teacher of Glazunov. He recognized the fast get ahead he make in his study non only all(prenominal) day but even every hour. The character of their relations as well as altered. Already by 1881, Rimsky-Korsakov started to treat Glazunov as his colleague. At the same conviction as it was the result of the teachers necessity to find some d ifferent Modest Mussorgsky, it alike was the result of Glazunovs information. (Volkov 1995) Glazunov was lucky to have a rich lumber and part- meter musician, Mitrofan Belyayev among his admires.He got to know about(predicate) Glazunov and his inventive work from Anatoly Lyadov and became concerned about the boys musical prospect. Mitrofan Belyayev besides brought his stimulate interest in Glazunov to former(a) nationalist musicians. Then the composer had a tour around Europe. Glazunov was introduced to Liszt in Weimar, where Glazunovs first work of art was showed to public. (Volkov 1995) In 1884, Belayev leased a hall and employed a group of musicians to play Glazunovs First Symphony. The rehearsal was successful and Belayev made a decision to organize a open performance of Glazunovs and other musicians creations.As a result the Russian Symphony Concerts were organized in 1886-1887. In 1885 Belyayev started publishing the music by Glazunov, and other composers at his own cost . Young creators became interested in him so deeply that it was rather nasty to choose among their offerings. (Volkov 1995) Glazunov quickly took pleasure in worldwide approval. On the other hand, he went through a serious crisis in 1890-1891. This period brought an all important(predicate) development to him. Throughout the 1890s he created three works. In 1905 he became the director of the St. Petersburg Conservatory.His most excellent creations from this clock meter atomic number 18 his Violin Concerto and ordinal Symphony. This period was also the time of his best worldwide approval. There were also series of the Composers performances in Moscow and St. Petersburg to celebrate his 25th celebrations as a creator. Glazunov began working as a conductor in 1888. The conterminous year, the composer was a conductor of his Second Symphony performance in Paris. later on the composer led the unsuccessful first performance of Rachmaninoffs Symphony No 1. Glazunovs wife then stated that her husband was very wino during this performance.At the same time as her statement can non be proved, it is not improbable for a person who always had a bottle of intoxicant behind his table was drinking even during his lessons. Drinking or not, Glazunov did not give enough time to his music and, at the same time as like a work of conduct, he did not do it well. Now and again the composer conducted his own pieces of music, particularly the Raymonda, although he was aware about his inability to do it. The composer sometimes express In spite of the pecuniary crisis he went through during World War I and the resulting social battle, Glazunov keep to work as a conductor.The composer conducted performances in industrial units, associations and Red armament posts. The composer played a significant role in the Russian brushup in 1927 of the centennial of Beethovens death, as both subscriber and performer. (White1966) According to The Grove Concise Dictionary of Music the bal lets The Seasons and Raymonda written by Glazunov, some of his later symphonies, primarily the Fourth, Fifth and Sixth, and his two Concert Waltzes are considered to be Glazunovs most well-known creations at the present time. (White1966)By his creation called the Saxophone Concerto created in (1934) the composer demonstrated his talent to begin accustomed to contemporary Western music tendencies. (White1966) Glazunovs musical development was contradictory. Sometimes he was even treated as an idol by other composers who did not have such an outstanding teachers, were mainly self-taught and suffered the neediness of technique. Glazunovs first two creations might be treated as a collection of nationalist methods applied by Borodin and Balakirev. Already at twenty years old the composer understood the polemic conflict amid academicism and patriotism.Notwithstanding that Glazunov based his works on Russian estimateite compositions, his practical techniques let him write in a complica ted, cultured manner. By his Third Symphony, the composer advisedly tried to internationalize his music in a way comparable to Tchaikovsky, to whom the work was devoted. (Walsh 1999) Shostakovich stated that at the same time as Glazunov was very often found unintelligible, even preposterous, he deliberately presented the Conservatory with his own time, the part of his soul and his originality.Some people said that Glazunov practically lived there. The composer was peaceful and unyielding communicating with the authorities. (Walsh 1999) In 1922, the authorities made a decision to provide Glazunov with good living conditions in indian lodge to help him work and create new masterpieces. The composer denied the proposition in favor of the conservatory and asked to set a new firewood there. The firewood was established. (Walsh 1999)