Gone with the Wind Essay

kaput(p) with the Wind is a take aim based on Marg atomic number 18t Mitchells maintain with the same title. Tagged as one of the most memorable relish stories in American history, at rest(p) with the Wind is not only a story of love between Scarlett O Hara and Rhett Butler but is alike a story of a womans struggle to give her family alive through years of war. Set against the American obliging War, the movie is mainly influenced by the events of that time. We get a glimpse of the social structures of the 1800s and of the roles expected of women at that time. B. MEDIAThe conduct, despite its historical background, is more of a hammy manifestation rather than a documentary of the events during the American polite War. through with(p) in Technicolor, the film features theatrical music with a touch of solid ground to go well with the Atlanta and Jonesboro settings. The music was more often than not passively use in the background, segued to indicate change of flicks. How ever, there were some scenes when music was an intact part, enhancing the emotions and actions depicted in the film. Being a re exclusivelyy old film, Gone with the Wind does not guard the special effects that movies nowadays have.It is, however, in effect(p) in recreating the Civil War and making the viewers feel what it would have been like to be in that situation. Explosions and gunfire were used to reestablish the films setting. Shots were very conventional, using wide shots to establish a scene and close-ups to enhance emotional integrity. Gone with the Wind, featuring mostly Southern characters, includes a overplus of characters speaking with a Southern drawl. The language was mostly contemporary, with a fewer slang usages here and there.Hats off to the well-known(a) actors such as Clark gable (Rhett Butler), Vivien Leigh (Scarlett OHara), Leslie Howard (Ashley Wilkes), and Olivia de Havilland (Melanie Hamilton) for pulling off the characters originally designed by Marga ret Mitchell. They were fantabulous actors and they gave life to characters recreated in this screenplay by Sidney Howard, though the story was flavorful bountiful that it can be portrayed by anyone with good acting skills. Featuring well-known actors, though, helped promote the film and possibly helped in raking in big money for the producer David O. Selznick. C. CONTENTThe film offered abundant source of memorable scenes. In one of the earlier scenes, we see Mammy lot Scarlett get cause for the Wilkess barbeque party. Instead of a grumpy, complaining slave, Mammy search to be in high spirits and just happy helping out the O Hara sisters. Though this highlights the sad social structure substantial at the time of the movie, Mammys strong hold on Scarlett and her dont give me nonsense approach to Scarletts ordinarily hard-to-resist charms show how despite the racial structure of the times African-Americans play an entire role in the American household.However, in another sce ne, African-Americans were depicted in a negative way. When Melanie Hamilton was a rent to give birth, straight-laced lets it slip that she is familiar in midwifery. At a crucial closure of the childbirth though, Prissy panics and admits, Lawzy, we got to have a doctor. I dont know nothin bout birthin babies. This is eye-catching in the sense that is glorifies one of the stereotypes associated to African-Americans. The way Scarlett O Hara acts is likewise often a point of contention in the movie.Though shown as a strong woman who was able to carry her family through unskilled times, Scarlett was also shown to be clingy and desperate in most scenes. This was most patent during the Wilkess party, when she choreographed the whole afternoon to catch Ashleys attention. In all the scenes mentioned, the main issue revolved around racial, social, and cultural boundaries. The scenes depicted how faraway along societal rules were during the setting of the movie.Though often criticized for being excessively leaning on stereotypical portrayals, Gone with the Wind still is very much a picture of the truth of that existed back then. D. BIAS headmaster Fleming, the credited conductor of Gone with the Wind, was mostly an action film director and had his first hand at romantic drama with the film in discussion. One cannot say, though, that whatever biases the film had been his fault. Gone with the Wind is mostly producer-driven and Fleming may only have marginal influence on the films outcome.And since the film was highly-based on the novel, the biases can be attributed to what Margaret Mitchell wrote. (Myrick 126) E. EFFECTIVENESS / historical CONTEXT Though very different from films that most of us are used to nowadays, Gone with the Wind was very effective in evoking the emotions it aimed for. The combine of the restructuring of the Civil War and the powerful acting accounts for the films effectiveness. The gang of both plus its basis on a historical incident also points to why the film was very profitable.Every American knows of the horrors that the Civil War brought us and the films effective depiction of this point in history made everyone love the film more. All in all, the film with its combination of a moving plot, powerful cast, and good filming was worth a watch. Though mostly dramatic than historical, anyone who wants to relive the Civil War can give this movie a shot. WORKS CITED Myrick, Susan. white Columns in Hollywood Reports from the GWTW Sets. Macon, Georgia Mercer University Press, 1982.