Blakes Portrayal of Creation in Songs of Innocence and Experience Essa

In Jerusalem, Blake famously asserted that I will not reason and comparison my business is to create. This quote highlights the fact that Blake himself was participating in an inventive process. Northrop Frye commented that man in his creative acts and perceptions is God, and God is man? mans creativity is, for Blake, the manifestation of the divine. The Songs of Innocence and nonplus deal with life and the move, in particular, from youth to age. Creation is an extremely great aspect of life being its beginning, whether the subject is creating or being created. As devotion plays an enormous part in entirely of Blakes poetry, we can expect trigger to have some biblical resonance as well. Songs of Innocence and Songs of birth portray creation ? as they portray most themes ? in simply different ways. The innocent child in The Lamb automatically answers his solve question when he asks ?who do thee It was, of course, God. But the child?s unproblematic reply conceals more omi nous symbolism. By linking himself to the lamb and Christ, we are reminded uncomfortably of Christ?s great sacrifice and the slaughter of animals in respect of pagan gods. The simplistic, idealistic version of creation in Innocence veils the darker flavor of a sub-textually present knowledge involving ritual or religious sacrifice, maybe the inevitable surrender of innocence in favour of experience. Creation in Experience is much more complex. In contrast to image of the lamb, the tiger is a predator, no longer ?meek? and ?mild? but ? cowardly? and ?deadly?. The poem progresses with a series of questions, constantly gathering stride and frequency. The poem reaches a climax at the question ?Did He who made the lamb make thee The narrator cannot reco... ...hat it leads to more questions. Blake was almost certainly devising a point about the nature in reality of experience, afterwards we have created and have truly been created as adults, we begin to reach a higher understandi ng of what it means to exist, including the knowledge of death and contingency. This may make us bitter, but it also enables us to become wise, perhaps change surface reach a higher kind of innocence, a second childhood, in acceptance of the inevitability of age. So while the set out in provenance Song sings sorrowfully ?Sleep, sleep, happy sleep,/ While o?er thee thy mother weep? in recognition that her child will one sidereal day reach experience, she is also able to see the ?Heavenly face?, which ?Smiles on thee, on me, on all?, regardless of age and experience. For, it seems to suggest, we are all His children, and He bears the same love for His creations as we do for ours.