Wednesday, November 13, 2019
Andrea Del Sarto- How Browning?s Poetry Can Be Linked To When It Was W :: essays research papers
Robert Browningââ¬â¢s poem, ââ¬ËAndrea del Sartoââ¬â¢ presents the reader with his views on the painterââ¬â¢s life, an artist who has lost faith in the Parnassian ideal of living for art, and now has to use art as a living. The poem looks at the darker side of the painter when he was older, and expresses a lot about Browning as well, and how he thought his work was perceived, and the context of his life and times. The poem covers many ideas and themes, which not only create a powerful poem, but also create commentary from Browningââ¬â¢s prerogative of his own situation. The poem epitomizes Browningââ¬â¢s work, looking at a real figure in history, from Browningââ¬â¢s own perspective, in a real state of affairs. Although ââ¬ËDel Sartoââ¬â¢ might have been regarded as ââ¬ËThe Faultless painterââ¬â¢ in his time, on the inside he had to repress a struggle. As historian Vasari pointed out, a ââ¬Ëcertain timidity of spiritââ¬â¢ that stopped him from g aining true recognition as one of the greats alongside ââ¬ËLeonard, Rafael, Agnoloââ¬â¢. This could be said to express Browningââ¬â¢s view of audience, since his wife was much more successful than him. In this essay I will be looking at the poem, and how it relates to Browning and the time it was written in. The poem has a very melancholy tone throughout, expressing the feelings of Browningââ¬â¢s ââ¬ËDel Sartoââ¬â¢, and to an extent Browning himself. It deals with the artists demise, or recline, that he thinks is slowly starting to destroy his life, and the freedom he once had as an artist. He makes references to the ââ¬Ëautumn in everythingââ¬â¢ that he now sees, and the sin of him being ââ¬Ëtemptedââ¬â¢ by ââ¬ËFrancisââ¬â¢ coinââ¬â¢, which he ââ¬Ëtookââ¬â¢. It is clear from the beginning of the poem that ââ¬ËDel Sartoââ¬â¢ that he has to live with his resolve, and although he tries to outline his plight, he doesnââ¬â¢t change it, as he says to Lucrezia ââ¬Ëdo not let us quarrel any moreââ¬â¢. He is succumbing to what he has to now do. He has to work now for the money he will gain, which destroys the ethos of art. Hi reference to the recipient of the piece as a ââ¬Ëfriends friendââ¬â¢ emphasizes how distant he has got from his art , and his audience. It is not a particular audience, and neither does the picture convey much, as it is just for money.
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